Saturday, 10 October 2020

Lullaby- Student Short Film (Post 2)

 Lullaby

Mise en scene:
  • Costume- the girl is seen wearing white socks with a white dress, which looks as if she’s been in a rush and just thrown it on or she’s just gotten out of bed. This exaggerates on the fear and panic that she’s in. 
  • Setting- The location of the film is in the woods, this plays on the fact that it is a horror as forests are known to be notorious for gloomy and isolated areas, building suspense throughout the film
  • Expression- The girls face is very apprehensive and is shown to be alarmed, making the audience aware of the girls fear. 
  • Props- A prop that is used is her phone. She receives a text, and which is a photo of herself running through the woods. This pushes on the fact that she is being watched and no matter where she runs someone will always be catching up. Another prop is a doll, this appears towards the end when, hanging from a tree with a rope around its neck. The doll is used to imply that the girl is going to die or something bad is going to happen. 
Editing:
  • An editing technique they used was fading and placing a film onto a film to get an illusion effect. This highlights that the girl running is tired and is starting to lose her vision, almost losing energy. This tells the audience that she has been running for a while and is starting to go delusional. This emphasises the fact that she is desperate to keep running, therefore, she is scared and terrified someone is going to catch up to her. We know this by the way she keeps turning around as if there’s someone there. 
  • As the tension builds up the cut dramatically changes to a different scene. She has woken up in her bed. This allows the audience to know that she was asleep and they question whether it was all a dream. 
Sound:
  • The opening starts off with ecstatic and the video seemed to glitch. This already has allowed the audience to know that this short film is going to be a thriller or horror. 
  • A way to highlight the genre was by providing a non-diegetic sound over the top. The music they played was of a lullaby, which built up the tension and have the film an essence of terror. You are able to hear a child’s laughter, which will creep the audience and begin to raise their pulse. 
  • There is no dialogue but they have incorporated heavy breathing  to build up tension and to show her short of breath as she struggles to find safety. 
Cinematography:
  • In the first few seconds the camera is a close up, which is focused on someone’s feet running through a forest. When doing this you can see the bottom of her feet, which are shown to be completely brown from the dirt. This emphasises that she was in such a rush she didn’t have time to put shoes on and allows the audience to know that she’s been running for a long time, due to the fact that they are so dirty. 
  • There are a few close ups on the girls face, which introduces the character properly. You are also able to tell what the character is thinking as the audience are able to see her expressions, she is seen to be lost and erratic as she desperately tries to find somewhere to hide. 

Tuesday, 6 October 2020

The Fly- short film (Post 1)

 The Fly

Mise en scene:
  • Props- A tooth pick is one of the props, giving off a tougher exterior. It may also be a way of distracting himself as he looks very nervous 
  • Costume- The man has a watch on his wrist which he keeps looking at in anticipation, suggesting that he is nervous. He is also wearing a leather jacket, which is usually associated with 'bad guy act' or someone with attitude. At the end we see the guys coming out in masks telling the audience that they are trying to hide their identities. 
  • makeup- The makeup that is used in this short film is to make the effect of blood. Adding gore to it helps to associate its genre. It also suggests to the audience that when the guys came out that they had killed or hurt the people in there. 
  • Character expression and movements- At first he is very nervous, grips the stirring wheel and constantly taps it as if he cant just sit still. This is usually because someone is waiting on something, so therefore he may be nervous. When irritated he has aggressive movements Very irrational and Lack of control of his actions.
Editing:
  • J cut to make the audience aware of what is happening and heightens their hearing as this is the prime focus. You can hear a gun being loaded and set, giving away the genre, which is a thriller and crime. The audience don't know whether the perspective is of the criminals or officers. The mans voice is deep and is obviously the commander of what they are planning. They sound rushed and are given a 3 minute time limit. 
  • The editing gets quicker to enhance the mans violence and frustration. When the camera flickers from one place to another it exaggerates a character's feeling and reaction. This is built up when he lashes out and smashes the car with a gun.
Sound:
  • Throughout the majority of short film we are able to hear the engine running. That suggests that he has kept it on to get a quick getaway. This gives the idea that they are the criminals and the man in the car is in control of the getaway.
  • Diegetic sound of a fly. Hinting at the fact that its trapped in the car with him as the sound is very prominent. The noise of the fly is irritating and annoying which provides an understanding into the character as inpatient and easily irritable. 
  • Muffled voices behind the door. Shouting and very commanding, giving signs of aggression, this highlights that the men are here to rob a bank or store. This adds suspense to the film. The screams and gunshots from behind the door adds terror, fitting its genre of crime. 
Cinematography:
  • Establishing shots are used to emphasise the chaos within the bank. This shot drives a curiosity to what is happening as it is never revealed what is happening, therefore the sound in these shots are very important to establish what is going on.
  • A close up is used when the the fly lands which drags the audiences focus to it. It also creates the illusion of the fly being the biggest thing around. Even though it is small, it still can take the focus from everyone around.

Monday, 5 October 2020

Slap- Short Film (Post 1)

Slap

Mise en scene:
  • Props- In the first scene the props are the makeup and magazine that are layed out of the boys floor. Due to the fact that this is the first thing we see as an audience, it already tells us a lot about his character. Such as that he is into beauty, hinting at the fact that he may be a cross dresser.
  • Character expression and movement- When the boys dad gets home his movement is erratic which tells the audience that he doesn't want his dad to find out he is trying on makeup. This creates an idea of part of his identity is being hidden from close relatives and maybe his friends as well. When he hears his dad, the boys face looks worried and guilty as if he has done something wrong and is trying to hide something.
  • Costume-  The costumes that stand out in this film is his boxing outfit and also the clothes he wears when he is not around anyone he knows- such as dresses, the things that 'typically' women would wear. This provides an idea of conflict within himself. Suggesting he places a veil over his true identity and how he actually wants to express himself due to not wanting other people to know. This tells the audience that he may be questioning his sexuality or gender.  
Editing:
  • The cut from a sense of relief from the boy not being caught to then the boy being hit in the face is very abrupt, highlighting the fact that his life is constantly a show. The boxing is seen as a posterior to hide his actual feelings. Creating an illusion for everyone around him. But in reality he feels like someone else.  
  • When the scene is more tense the cuts are more exaggerated and quicker to create the tension and to suggest the quick movement and no time to think when in a tough situation.
  • When he is in the boxing match at the end the camera cuts to the door where he previously saw his girlfriend at the beginning. This suggests that she has gone and now he is left on his own. It tells the audience that he is angry and is building up anger as he has lost his mates.
Sound: 
  • The beginning the sound is non-diegetic slow and peaceful, which maybe a metaphor for a bit of self acceptance when he puts his makeup on. But it is also has a feeling of loss and sadness,  suggesting that others around him may not be as accepting or they may not know about him putting the makeup on. But then the music stops, the silence allows the audience to listen to distance noise that comes from downstairs. It shows a disruption. 
  • When the dad comes upstairs the dialogue is loud and emphasised to show panic in the boys voice. His expressions show desperation to get the makeup off as he scrubs his face with his top. To back this up, his face also turns red which shows that he is embarrassed for people to see and he is rushed and therefore over heating.
  • The audience are able to here the ambience, for example when he boxes. You are able to hear the sounds of the boy being punched and the noises from the clothes that give off a squeak noise.
  • In this short film, they use dialogue to drive the narrative. There is no monologues therefore, the audience have to go off from Connor's expressions and guess how he is feeling. But, his expressions seem to be obvious when he is alone and towards the end- no longer can hide his identity.
  • The music at the end is non-diegetic, so only the audience can hear it. The music is sad and emotional, reflecting on how Connor feels. It shows a build up of anger, which is being released when he fights. As if hid emotions have taken control of him and he no longer has control on what he does. The music focuses on the frustration that he feels. 
Cinematography:
  • medium shot of the magazines and makeup, wants the audience to be aware of what the character is doing but not too aware of the surroundings. This may foreshadow the fact that he doesn't expect his dad to come home yet as he is so engaged in the makeup and creating new looks. This allows the audience to know that he is so engrossed in the makeup and magazines however, he is also on edge when he suddenly hears his dad.
  • Overall, the shots are medium and close shots. This may be because the director wanted to create an idea of the audience also being trapped and enclosed in, like how the boy feels when trying to figure out his identity. 
  • The camera is also constantly moving, suggesting that Connor is never at ease. The camera is slightly still when he is in front of everyone in a dress and full glam of makeup at the party. But the camera is only still for a few seconds until Connor realises everyone is laughing at him and not taking him seriously. The other time is when he is placed in the boxing ring at the end. This highlights the fact that he is focused and that he has no distractions. 

Sunday, 4 October 2020

The Ellington Boy- Short Film (Post 1)

The Ellington Boy

Mise En Scene:

  • In the introduction you are presented with someone scraping knives together. Straight away the audience can make the assumption that the scene has been set in a butcher’s or a café. Also you are shown person wearing a red and white striped apron, this backs up the idea that they are in a food place. It also lets you know that the man is the chef and in charge of making or cutting the food in preparation for the customers.
  • The outfits that the boys are wearing are casual everyday clothes. This tells us that their has been no disruption and that they are carrying on with their day as normal. A boy is wearing a leather jacket, which is a bit big for him, and a pair of jeans, suggesting that he cares more for his appearance and likes to look representable. One of the boys is wearing a vibrant jacket with matching tracksuits and an adidas hat. This could imply that the boy is chavy, living in a ‘rough’ area. 
  • The boy that has been stabbed is seen in a grey hoodie and tracksuit. When trying to get away he puts his hood up, this is to disguise himself from the people after him. The boy is shown to be constantly looking over his shoulder, emphasising his fear and desperation to find someone for help. 
  • When the teenagers enter the café, waving their knives at the owners, to get the boy that has collapsed on the floor the camera focuses on the men’s faces. The expressions are emotionless and then broken with a smile. This tells the audience that they don’t fear the boys, instead they should be fearing them. There character’s seem incriminating at this point as the smirk.
Editing:
  • The editing to this at the beginning raises questions for the audience. When showing the introduction it is said to be based on a true story, however the next slide is bracketed as ‘kind of’. This is unusual for the audience to see. It conflicts to what it said before and now is confusing the viewers by making them question what is real and what is fake. Makes the audience think whether the story that is about to be told is just a rumour or maybe only parts of it is real.
  • When the boy is telling the story he heard from his other mate there is a jump cut. This is to emphasise that it is a flashback rather then what is happening now. The abruptness of the flashback plays on the fact that what happened was quick and dangerous, the attack was unpredicted.
  • There is a j-cut later in the short film when showing the story, to remind the audience that it is being told. It emphasises on the fact that it is not very known, so wasn’t released on the news. This could link to the beginning of the words ‘kind of’ when saying it was a true story. The real story could have been twisted. 

Sound:

  • The sound at the beginning is the sound of the man sharpening his knives against one another. Already I know that the genre of this short film is going to be action with a bit of thriller. The sound is sharp and aggressive, letting the audience know that the owner’s of the shop are intense and show no emotion. This is creating tension for the audience and has caught the audiences attention. This is then followed with a man hitting a butcher knife through some meat. When the knife hits the table it makes a thud, this is continued three times, to make the audience jump and unsteady.
  • Dialogue is used to create a story unlike the first short film. The use of dialogue is important in this short film as we are able to understand the characters and what kind of people they are. The audience are also able to gain a narrative on the story that is about to be told.
  • When the boy is running from the boys that stabbed him everything goes quiet except his breathing. It is heavy and panicked. This shows his losing his breath, however from his wound rather than from his running- which his limping also helps to back this up.
    When the boys run into the café and the man starts walking towards the door, the music starts to gradually fade in and gets louder and louder.
Cinematography:
  • A wide shot is used to show the area that the café is in, which gives the idea of what kind of place it is. By zooming out and allowing the audience to see the surroundings we know that the café is a family business.
  • Camera then does a two person shot  inside the café. This introduces us to the characters. This shot allows the audience to interpret the relationship between the boys. The boys seem very comfortable around each other and have the same friends, as shown when they talk about another person who they both know. We can determine how close the boys are when one of them grabs the other boy’s fries. This suggests that they’ve been friends for a while and like to whined each other up.
  • Another camera shot they use is a 180 turning shot, which brings the focus on the boy who’s about to narrate the story. Drawing the audience in like this we are able to know that something bad has happened, replaying the past. However, it is abruptly interrupted by the other boy, who seems fed up with his friend talking to him. This implies they may have a bad history with him, may have a dislike to him or a certain reputation that makes him untrustworthy when it comes to knowing the details to a story.



Over- Short Film (Post 1)

Over

Mise En Scene:

  • Props- The scene uses props such as cars in the street and the police uniform, which helps to create the realism. By using props for the policeman the audience is able to differentiate between the locals and the police officers, therefore the audience knowing the actor’s roles.
  • At the beginning of the film we see just everyday stuff such as flowers, trees and houses, showing how there is no disruption within the streets.
  • Later on the film introduces new props such as police cars to emphasise the disruption in the area. That’s when they show new stuff relating to a crime that has been taken place.
  • Another prop they use is a body, which is shown throughout the film. However, the film builds up the anticipation of where it came from as it doesn’t show that the body has fallen from the sky until the end.
  • Setting- The scene is set in London on the streets, however it is in small area where there isn’t much going on and is very peaceful. To emphasise this there are very few people walking around on the street and overall it is quite silent.
  • When the body is shown in the road, people walking by don’t notice it until later on. This tells the audience that there is such little disruption in the street as not many walk past. Blinded when something does happen.
  • Costume- One costume that stood out the most was the police uniform as it suggests that something has happened and they’ve been called out to sort it out. 
  • The other costumes that we see are from the locals that are living in the area, who are going on with their everyday life. Casual clothes, no special occasion, just everyday outfits.

Editing

  • One thing they did with their short film was by putting the short film into reverse. This is to build up the suspense and bring in the audience as they don’t k now what is going on. The editing shows the how people carry on with their everyday life as if nothing has happened.
  • The audience are introduced to people in the first couple of minutes, however, the audience do not get an attachment and they do not get know them. Instead are shown from a distance of them getting out of the car and a women walking over to the pavement to pick something up. The audience are not shown what it is that she picked up, this is to raise questions to make the audience intrigued and wanting to carry on. They then cut to what the women picked up, which was a bouquet of flowers. This suggests that something may have happened here and someone has left these in someone’s memory, as flowers are usually a symbol of death, leaving them at someone’s grave. 
Cinematography:
  • Throughout the shot film a wide shot has been used. This brings in the whole surroundings of the area. When the people get out the car you are able to gain a perspective on the relationship they have as the man puts his hand out to hold and walk off together. This allows the audience to know that they are in some kind of relationship, most likely husband and wife.
  • Then the camera does a close up of the object the women found, which answers the audiences  questions, but also creates  more. They’ve used a close up to put the focus on the flowers. Everything else is seen blurred and unfocused. The colour of the flowers also help centre the flowers. The colours of them are bright yellows and orange, this is so it is easily noticed as the ground and background are dark colours and shadowed.
  • Later it does another close up of water being sprayed onto the road. This is so we are made aware of why the area was being cleaned. When spraying you can see a tinge of red being washed away, allowing the audience to know their was a death or an accident their. However, the audience are able to guess that it was a death, due to earlier the spot was showing a bunch of flowers- a symbol of loss. It then jumps to the camera facing up focusing on the leaves, enhancing the fact that time has moved forward.
Sound:
  • In the short film there is no dialogue until 6 mins in. The only dialogue shown is in the middle of the short film, when the officers are talking about their positions. However, this only lasts a few seconds. This is to show who is in charge of the investigation.
  • The opening of the film is very silent and little movement, making the scene very peaceful. The only sounds you can hear are the background noises from the distance. For example you can hear the sirens and a dog barking. This illustrates how late at night it is and everyone is at home. When it is light again you are able to hear birds, which represent the time of day. Instead of the day carrying over to the morning, it has gone backwards and  is now the evening.
  • It is very silent but is soon abruptly disrupted when a car pulls in. When the people get out the car you can hear distinct chatter between 

Echo- Short Film (Post 1)

 Echo

Mise en scene: 
  • Props- The girl appears to be on a phone call to someone that she doesn’t know as she questions who they are when picking up. 
  • Setting- The short film is set in a city street, creating realism and naturalism. This will capture the audience more as it may be something they can relate to. 
  • Expression- By the girls expression when receiving the phone call she seems to be very erratic and concerned, implying something bad has happened and is upset about the news. This is also emphasised when she forgets her number and drops everything only the floor. By the way she empties her bag we as an audience know that she’s received terrible news and she starts to panic when she’s not able to find it. 
Sound:
  • In this short film there is dialogue. This is to help express how she feels. For example, when talking on the phone we are able to tell that she is upset by the news as her throat starts to croak up, as if she’s trying to not cry. 
  • She then calls her mum while crying and revealing that her dads been in an accident. You can hear the panic in her voice, therefore the audience are aware that he must be in quite a bad condition. 
Cinematography: 
  • The short film starts off with an establishing shot, allowing for the audience to take in the surroundings and know the environment that she’s in. It’s shows that the location is in a very busy city, which questions whether it is a weekend as no one seems to be at work. 
  • Close ups are used to reveal the characters expression, emphasising on the fact that she is stressed out and seems to be overthinking. This is seen by how fast she speaks as if she is trying to get it out in one sentence. 

Operator- Short Film (Post 1)

 Operator

Mise en scene:
  • Costume and props- headphones are the prop but also apart of her outfit. She is wearing smart clothes suggest that this is a working environment, making it more realistic and is on a professional place. 
  • Setting- The film is set at an emergency call centre, meaning her job is very important and can be stressful at times. The setting is quite basic and not over the top to capture the realism. 
  • Lighting- the lighting is dark suggesting that it’s late at night and she is having to work for a long time and night, this will gain respect form the audience as she’s staying up to help people in trouble. 
  • Expression- the women is shown to be concerned however she is also keeping a stern voice to emphasise the importance of the information that needs to be provided to her. She is shown to have genuine fear and concern. 
Editing:
  • In this short film there isn’t much editing, this is so that the audience are able to concentrate and focus on the dialogue. It also makes the film more intense and keep up the suspense for the audience.   
Sound:
  • There is a lot of dialogue and only provides one visual character. However, it is very clear there is someone else on the phone call who needs her help. You are able to hear what the person in the phone needs but is very hysterical. 
  • The repeat of hello shows how the anxiety and the panic as if she’s getting ready for the line to go. But when the lady eventually replies you can see the relief on her face. Provides the reality and real expectations of the job as she tried to reassure the lady in the fire. 
  • When she hangs up the phone silence creeps in for about two seconds as picks up again when the phone starts to ring. This shows a continuous loop of her evening and how she doesn’t really get to have a break. 
Cinematography:
  • The camera moves slowly around, this gives the effect of a calm environment and not chaotic. This would be due to the fact that she needs to stay calm so that she can be rational when speaking to her customers. 
  • The camera cuts to the operators face, close up, to reveal how she is actually feeling. She is shown to be anxious and apprehensive to know whether or not everyone is safe. 

The Arrival- Short Film (Post 1)

 The Arrival

Mise en scene:
  • Props- Door is used to emphasise the weather, suggests to the audience that it is cold due to the windows being frosted. Which is then highlighted this when the waiter closes the door, reinforces that it’s chilly and their is a draft coming through the door. Therefore, making him shutting it, letting the audience question whether it is winter. 
  • Costume- The lady is seen to be wearing a scarf and coat, this carries on with the theme of winter as it symbolises that the weather is icy cold. Another prop that is used is coffee. This is used at the beginning to help calm her nerves and stress levels, however at the end she orders a decaf as if she’s settled into the idea of having her own child. She isn’t as nervous, knows it will be hard but liking the idea. 
  • Setting and lighting- located in a cafe, which is a little dark, telling the audience that there is no sun therefore no warmth. The lighting is important to emphasise the weather. 
Editing:
  • An editing technique that was used was zoom. As she spilt her drink from being distracted from the baby in the pram she zones out. The camera then slowly zooms into her onto a close up, this informs the audience that she is not focused on what she’s doing. The zoom also appears to give the effect that she’s easing up on the idea of having a baby. Going through the genders and wondering what it’s going to look like. 
Sound: 
  • You are able to hear the wind from outside, highlighting the temperature is below average and the wind is making the cold very sharp. 
  • The sound that is provided with the short film is a non diegetic dialogue as the audience can hear everything she’s saying in her head after she’s ordered but the people in the film are not able to hear her. We as an audience may recognise that she is an indecisive person but most likely she’s nervous as it is shown by how she plays with her hands. 
  • When revealing this she repeatedly tries to talk her way through a conversation that she’s about to have with someone. Who we can gather is an ex boyfriend or a one night stand, this is because she’s doing it in an open area. If it were her boyfriend she would most likely do it somewhere private like at her house and she would be this nervous to tell him. 

  • The camera is positioned behind the door, which is a wide shot, this seems to be consistent throughout the short film. This camera shot allowed the audience to know that she was on her own when she came in and is waiting for someone. 

Narnia

Narnia Recreation Scene